By Babli Mallick
North-East India as we name it a land of ‘Seven Sisters’ includes the states specifically Assam, Arunachal Pradesh, Nagaland, Manipur, Meghalaya, Tripura, Mizoram and the in recent years additional Sikkim with 250 social teams and greater than one hundred seventy five languages. This North–East a part of India is attached to the remainder of India via a slim strip of twenty-two kms known as the Siliguri hall or Chicken’s Neck. apparently, it additionally stocks a superb a part of its border with the neighbouring nations like Bangladesh, Bhutan, Myanmar, China, and Nepal. So, it may be noticeable that the folks of those states should have social, political, cultural and linguistic commonalities with its neighbouring international locations and for this reason the area embodies a rainbow of cultures and traditions that varies much from the remainder of India.
Unfortunately, the histories, cultures in addition to the literatures of the North-East India have constantly been perceived as a boring and homogenous entity, with out quite brooding about over the myriad difficulties that permeate the geographical, cultural, spiritual, literary and political borders inside of and out of doors the North East. it will do good to remember how J. B. Bhattacharjee’s Roots of Insurgency in Northeast India (2007) issues out the ‘real’ insurgency and the ‘made-one’ whereas while attractive to not homogenise.
Similarly, as opposed to such generalisations, we now have sure North japanese writers similar to Indira Goswami, Temsula Ao, Mitra Pukhan, Mamang Dai, Easterine Kire, Sanjay Hazarika, to say a number of, who problematise and interrogate such oversimplifications and apathy of ‘mainland’ humans, writers, leaders, even numerous different Indian and overseas governments.
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